Friedl vom Gröller Movies

Five older women, loosely grouped in two rows, gaze into the camera. At times only details of their faces can be seen, a sixth woman walks through...

The filmmaker Friedl vom Gröller films herself and her colleague, the filmmaker Christiana Perschon. A projector casts images from an earlier...

NEC SPE, NEC METU follows upon Gutes Ende (Bliss) and Ich auch, auch, ich auch (Me too, too, me too), and it is the third film of Friedl vom...

The story of a triangle. Two people in a hotel room. A love story. Or rather, the idea of ​​a love story. A cinematic story. Everything...

Four young women present themselves seductively, self confidently and with some signs of shame. The camera´s low angle creates – in spite...

Photo session is a film about a pair. A human pair: man and woman, no longer young but when they laugh together they´re as exuberant as...

Past the newsstand, the hairdressers, by the dry cleaners. A door opens into a sick room. A very old woman lies there in her bed. Her body is...

In *Eat* (1996), you eat breakfast with your feet propped up on the table, wearing only a bra and panties. After eating, you take out your dentures,...

The title appears in thick boldface print. A short sequence of documentary snapshots, filmed off found paintings. These images pick up on figures...

A group of people in a room eating pizza, drinking, conversing, perhaps having a party.

Gaelle Obiegly is a film about not being able to see, and a reversal of the gaze.

Portraits and fragmented views of Paris intertwine.

Pavia, Lombardy, April 2025. Friedl vom Gröller unpacks her 16mm camera and films: first a wall, then the pattern of a shirt, then a clothing...

The lovesick Jelena spends her afternoons strolling among the tombs and leafless trees at Père-Lachaise cemetery. As she sings...

Im Wiener Prater is not about the amusement park that one normally associates with this name. The spectacle in the film takes place in a much more...

Endure tension, endure intimacy.

The continuation of a portrait of Gaelle Obiegly. The focus of the film is not a portrait, but rather a wide variety of cable cords in a cellar,...

“La mia Camera” means my room, a balcony with curtains, (and my film camera). The main characters are the wind and its dancing playmate,...