Friedl vom Gröller Movies

May 2012 is composed of three visual elements. In the momentary opening shot the camera spies on riverside joggers from the Donaumarina U-Bahn...

This was supposed to be a trial film for the artist to test her defective camera. In Allegory, Friedl vom Gröller stands in the foreground of...

An elusive 16mm miniature from the legendary Friedl vom Gröller, Conditio Humana intersperses footage of the crumbling sandstone façade...

"I filmed Flo and Ken Jacobs in 2001 when they visited me in my studio (the School of Artistic Photography, Vienna). Our acquaintance, friendship...

Based on the unusual idea that God's anus is visible on nights of the full moon, and determined to make a taboo visible, Friedl vom Gröller does...

An older couple sits on a curb, joking around like teenagers. The object of their shared amusement is a tiny book.

A tiny picaresque set in Paris chronicling Kubelka’s coy encounter with an unnamed man.

An experimental film.

Friedl vom Gröller invites a stranger to his small apartment in Paris and records his reactions to an unexpected striptease.

A pan along a gallery of large washing machines in a laundromat. Two women speak sign language and a third feeds coins into the machine. Language is...

Oppressive and childlike, erotic symbols and surreal moments.

Wedding is a meta-amateur film, a reflection and a condensation of its form: black and white, silent, 16mm, and only two minutes long. A married...

Friedl vom Gröller doesn’t give Christiana Perschon an interview. She gives her more: the film of a brief encounter, which in its...

A 2010 silent short film directed by Friedl vom Gröller. The film screened at Hong Kong International Film Festival in 2011.

A salon piece in black and white. The filmmaker circles the amorous play. Gestures and blurs, intuitively precise in-camera edits condense the...

A young woman sits on a bench in a baroque park. The motion of the wind in the leaves, in her hair, and also the flutter of her eyelashes, the...

Playing a part or stepping outside it. Lisa, who looks like Friedl vom Gröller´s sister, practises looking into the camera. She adjusts...

The film virtually opens with a false lead, showing a poster for for Shiseido cosmetics – the kind of sign we are accustomed to seeing in...